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  [ New York City, Just Like I Pictured It- December 14, 2001 ]

New York City...Just Like I Pictured It
written by Steve Reynolds

Champale2001 has been a rough one on the city of New York — first the death of Joey Ramone, then September 11th. Music was one of the first things to help start the healing process for the Big Apple, with major and minor benefits popping up in the three months since the towers fell. But those benefits mostly featured major artists that aren’t from New York. So we at Wax Buildup decided to take a look at new records from bands that slugged it out through the New York club scene to get the chance to make an album.

The StrokesNew York’s biggest rock music export of the past few years are The Strokes. This quintet built up a buzz by playing a residency at a Lower East Side club and by having a manager smart enough to get them onto bills of national and international bands sure to draw hipsters. Then they turned the buzz into a deafening roar by being just lo-fi and cool-looking enough to have the British press fawn over every appearance and single. So does The Strokes debut, Is This It (RCA) live up to all the hype? Not even close. Every song sounds exactly the same — flat vocals, repetitive guitar riffs and an odd lack of low end make it a difficult listening experience. AC/DC and Lou Reed sound exactly the same on every song, but they know how to make it work. The single "Last Nite" is by far the best song of the album, and lives up to the aforementioned hype. But it will likely throw The Strokes into the one-hit-modern-rock-wonder junk pile. [ buy Is This It or more from The Strokes ]

VPN VPN have been kicking around the New York scene for a few years and have put all the time to good use. The second album, for nearby stars (Evil Teen), grasps the many dichotomies of a New York life and translates them into music. Drummer Eddie Gormley plays a drum set made of traditional percussion elements and household items that look like they were taken from a bum’s shopping cart. Gormley’s inventive rhythms propel songs that sound like anything from a cab ride from hell ("The Flood") to a slow horse drawn ride through Central Park "Ten Years From Tomorrow"). VPN’s songs aren’t about New York per se, but one can tell they were most definitely made there.

ChampaleFrom the borough of Brooklyn comes Champale, an eight piece group that blends many different influences into a gorgeous sound. Their debut, Simple Days (Pitch-a-Tent) was released through Pitch-A-Tent, the label run by Cracker’s David Lowery. Considering that band’s musical range, it’s not surprising Lowery would take Champale on. Their songs — written by singer-guitarist Mark Rizzo — range from country dirges, sweet Big Star-like pop songs, mid-tempo tunes that grasp a slice from the Burt Bacharach songbook, and slow ballads that build into a gorgeous wall of sound, are all here. And most of these songs are seasoned with a non-traditional rock instrument, the vibraphone. Simple Days is one of the best albums released by a New York band this year. Even better — it’s one of the best albums released by any band this year. [ buy Simple Days or more from Champale ]

Official Sites: The Strokes | VPN | Champale

December 2001

 

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