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[ Let Me Take a Solo - November
1, 2000 ]
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Let Me Take a Solo
written by Steve Reynolds
If there were a book of rock cliches
(and there certainly might be - I haven't checked Amazon.com
recently) somewhere in the Top 10 would be "I Feel the Need
to Go Solo." This usually happens when an artist feels "constrained"
by the group that brought them to a certain level of success.
Or better yet, it could be caused by the dreaded "these
songs just never fit on any of our albums" disease. The
road to solo stardom is littered with successes (George
Michael, Sting, Natalie Merchant) and failures (Andrew Ridgley,
David Lee Roth, and at least artistically, Natalie Merchant).
Here are three people treading down that path.
Ryan
Adams is (or maybe better put, was) the singer-songwriter
for Whiskeytown, an alternative-country-rock combo that
released three fine albums in the mid-'90s. Adams created
an intoxicating mix of depressing ballads and, well, depressing
up-tempo songs that fans of Wilco and Son Volt thoroughly
enjoyed. Whiskeytown has another album in the can, but it's
been held up in the aftermath of mega-record company mergers.
Once Adams got free from his legal red tape, he recorded
a solo album called Heartbreaker (Bloodshot Records).
Not surprisingly, it contains more depressing ballads and
depressing up-tempo songs. Heartbreaker lives up
to its title - almost all the songs were written about Adams'
breakup with one girl. This must have been one whopper of
a breakup, as songs like "Amy" and "Call Me On Your Way
Back Home" just bleed desperation over a failed relationship
like no album in recent memory. Adams makes a fine start
to what could be a long solo career, should Whiskeytown
be a done deal. But be forewarned - don't listen to this
album if you're splitting up with someone. I can't be held
responsible for what you do to yourself in a fit of depression.
[ buy Heartbreaker
or more
from Whiskeytown ]
Adams'
bandmate, singer-violinist Caitlin Cary, isn't waiting around
for Whiskeytown's future to be determined to make new music.
Her debut ep, Waltzie (Yep Records), is the sound
of people gathering on a back porch, just playing low-key,
emotionally deep music to pass the time. Cary's voice is
somewhat reminiscent of Linda Thompson, which is put to
good use on the cover of Richard Thompson's "Withered &
Died." Cary proves that Ryan Adams isn't the only songwriting
talent in Whiskeytown.
[ buy Waltzie
or visit
Yep Records' site ]
J
Mascis led Dinosaur Jr. for almost 15 years, with his guitar-cranked-to-12
sound inspiring many kids to get guitars of their own in the
late '80s and '90s. But their last couple of records - and
Mascis solo acoustic live album, Martin and Me - were
highly uninspired pieces of sonic sludge. Mascis played much
of the instruments on the bulk of the Dinosaur's albums in
the '90s, but he kept the name going before disbanding the
group in 1997. Apparently ditching the name did J a world
of good, as More Light (Ultimatum) - credited to himself
and The Fog - is his most appealing work in years. Songs like
"Same Day" (with backing vocals by another alternative icon,
Guided by Voices singer Bob Pollard) and "Where'd You Go"
are as catchy as the latest flu bug from Asia. The guitar
playing is absolutely inspired, and Mascis sings with emotion,
something he hasn't done in years. A lyric in "Ground Me to
You" says, "I've been drifting off my course," but now Mascis
has found his way back.
[ buy More
Light or more
from J Mascis or Dinosaur
Jr ]
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